Niko Pirosmanashvili(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics. | |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
A girl and a goose with goslings Pintura Identificación:: 83678 Vea nuestra galería en Suecia |
A girl and a goose with goslings from 1862(1862) until 1918(1918) Medium Oil on cardboard cyf from_1862(1862)_until_1918(1918) _ Medium_Oil_on_cardboard _ cyf |
||||||||
|
|
||||||||||
|
Molokani Carousing Pintura Identificación:: 84730 Vea nuestra galería en Suecia |
Molokani Carousing 1905(1905) Medium Oil on oilcloth Dimensions 112 x 179.5 cm (44.1 x 70.7 in) cyf 1905(1905) _ Medium_Oil_on_oilcloth _ Dimensions_112_x_179.5_cm_(44.1_x_70.7_in) _ cyf |
||||||||
|
|
||||||||||
|
Healer on a Donkey Pintura Identificación:: 86184 Vea nuestra galería en Suecia |
Healer on a Donkey Date 1900s(1900s) Medium Oil on oilcloth Dimensions 80 x 100 cm (31.5 x 39.4 in) cjr Date_1900s(1900s) _ Medium_Oil_on_oilcloth _ Dimensions_80__x__100_cm_(31.5__x__39.4_in) _ cjr |
||||||||
|
|
||||||||||
|
Autumn Feast Pintura Identificación:: 92521 Vea nuestra galería en Suecia |
Autumn Feast Date from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 179.5 X 379 cm (70.7 X 149.2 in) TTD Date_from_1862(1862)_until_1918(1918) _ Medium_oil_on_oilcloth _ Dimensions_179.5_X_379_cm_(70.7_X_149.2_in) _ TTD |
||||||||
|
|
||||||||||
|
Shepherd in a Sheepskin Cloak on a Red Background Pintura Identificación:: 92522 Vea nuestra galería en Suecia |
Shepherd in a Sheepskin Cloak on a Red Background Description Niko Pirosmani. Shepherd in a Sheepskin Cloak on a Red Background. Oil on oilcloth. Private collection.jpg English: Niko Pirosmani. Shepherd in a Sheepskin Cloak on a Red Background. Oil on oilcloth. Private collection Date pre 1919 TTD Description_Niko_Pirosmani._Shepherd_in_a_Sheepskin_Cloak_on_a_Red_Background._Oil_on_oilcloth._Private_collection.jpg_ English:_Niko_Pirosmani._Shepherd_in_a_Sheepskin_Cloak_on_a_Red_Background._Oil_on_oilcloth._Private_collection_ Date_pre_1919 _ TTD |
||||||||
|
|
||||||||||
| Artista Previo Próximo Artista | ||||||||||
|
|
||||||||||
| Niko Pirosmanashvili | ||||||||||
| (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics. | ||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.